Entries by Gilbert2017

An Interview with Abubakar Adam Ibrahim | by Elizabeth Olaoye

Questions for the author of Season of Crimson Blossoms, a book that blew my mind. EO: Recently in Nigeria, in a dramatic turn of events, an Igbo grandmother was caught having sex with a much younger man shortly after her husband’s death. The community shamed her by parading her on the street and banishing her […]

The Day Ends Like Any Day | A Review by Sola Adeyemi

Timothy Ogene, The Day Ends Like Any Day. Berkshire, England: Holland House, 2017, pp.264. ISBN: 978-1-910688-29-8 (paperback); 978-1-910688-30-4 (kindle) The Novel that Ends like None Else There is no sun today, save the finch’s yellow breast, and the world seems faultless in spite of it. Across the sound, a continuous ectoplasm of gray, a ferry […]

“African literature is a question…an open question that invites…” | A Review of “The African Literary Hustle” (New Orleans Review, Issue 43, 2017) by Nancy Henaku

Last summer, the New Orleans Review, a journal of contemporary literature and culture housed in the Department of English at Loyola University, published their recent issue titled “The African Literary Hustle.” The journal, which has featured several writers including Pablo Neruda, Joyce Carol Oates and Robert Olen Butler, is entering its fiftieth year in 2018 […]

Writing beyond borders: Kwani Trust as an ambitious African LINGO | An article by Ewout Decoorne

Hidden behind a leafy courtyard off Nairobi’s Riverside Drive, Kwani Trust houses one of Kenya’s (and perhaps Africa’s) most fascinating literary contributions of the last decades. The small, cosy shop can hardly reveal the magnitude of this movement, which since its inception in 2003 has adopted an increasingly influential voice within Africa’s intellectual and cultural […]

Ngũgĩ wa Thiong’o, Birth of a Dream Weaver. A Writer’s Awakening | A Review by Inge Brinkman

Colonialism and nationalism are big words. So big that they may become meaningless abstractions. Through telling about his personal experiences with these overarching concepts, Ngũgĩ wa Thiong’o shows what possible meanings they can acquire. In the trilogy of memoirs he wrote – Dreams in a Time of War, In the House of the Interpreter and […]